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Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, one half of the pioneering 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the pair achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is considered a seminal work of synth-pop.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I ended up injure myself quite a bit," he commented in 2023. "I fractured lower vertebrae in my spine and fractured about multiple ribs and fractured my arm."

After contracting a lung infection and developing sepsis, he was put in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" over the summer, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and very pleased with the new album that we actually completed only a few days ago," stated the singer in a tribute.
"It's so sad as 2026 was all set to be such an positive year for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense aspect of my life and for the music you gave me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is distinct from being in a band, the connection is very tight," he continued.
"That's how it was with us. We experienced so many extraordinary, incredible, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family Donald and Brenda Ball, who changed his given name from his birth name to David, alongside his sibling his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both studying art. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly recorded an EP.

Musical Partnership

The pair were an distinctive combination: Ball was the quiet technician, bent over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk perform on BBC science show Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.

Tainted Love became the UK's second biggest-selling song of 1981, selling millions of units globally. Together with hits by Gary Numan, contemporary bands and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also featured on their first album, their initial LP, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's passing

Professional Journey

Success had its upsides. "I loved being able to afford my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also caused challenges. "Sudden riches allowed we could purchase substances to relieve the boredom" of media interviews and television shows, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the party-filled existence, the pair were also drifting apart, but they managed to create a follow-up memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

After a further hiatus, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, that year.

Yet, they remained active, recording their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's upcoming release as a tribute to the NYC nightlife they visited while recording their first two albums.

He added that his period in medical care had influenced the band's sound.

"I had unusual memories when I was coming and going of the hospital because I was on morphine," he told a publication.
"The new songs are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 1980s."

The last versions were finished only days before Ball died. It is scheduled for release in Spring 2026.

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